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“Quality” is definitely not sacrificed in the pursuit of showcasing work solely by female creators in the current show at 32nd&Urban Gallery. The show, curated primarily by Kepha, features predominantly paintings, as well as photography and craft work. The show includes work by Chicago female artists Billie Stone, Emily Cunningham, Kristal Pacheco, Maria Gaspar, Nova Czarnecki, and Tricia Moreau Sweeney. Billie Stone's work is part of the newly revitalized, majority female, genre of arts of crafts. Her work consists of small hanging crest-like banners, containing Hip-Hop Iconography such as Easy E, fly Air Force Ones, uzis, and of course marijuana. Produced with shiny fabric, tassels, fringe, and paint, the work honors and parodies the usually more masculine presentation of Hip-Hop culture. All of Stone's pieces look like something your Hip Hop grandma picked up at Jo Anne fabrics, so you better get them before she does. Another highlight of the show is Kristal Pacheco's work which continues with the ongoing issue of the female's constant balancing of body as reality and body as translated reality. It is apparent that the female she uses in her work is someone's mother, whose face has been painted over with a that of a Mexican Beauty Queen. The “beautiful” face Pacheco has chosen to conceal the mother's face does not add beauty but just distraction from the mother's obvious comfort in her environment. The tenderness and caring are overwhelming in the mother's bodily form and her placement in a the comforting environment of a kitchen. Pacheco's pieces are part of an ongoing work inserting women Pacheco knows into traditional Mexican calenders of women. This show is a must see for the evolving positions women are taking in contemporary art.